Whether working with professionals, college students, or young performers, I focus on creating inclusive environments that foster the artistic growth of myself and my collaborators. Through my work, I am committed to ensuring every story I tell is honest, socially aware, can engage all audiences. I lead with confidence and clarity, guiding creative teams and performers with a strong vision and fostering an environment where collaboration can thrive.

With training in both theatre and dance from Northwestern University, my choreography blends classic musical theatre jazz with dynamic movement inspired by Black pop artists, from Michael Jackson to Beyonce. Movement in the upper body is focused on storytelling through sharp, specific, and clear movement, often leaning into choreographic literalism. The goal is always to aid the audience in understanding, and thus, connecting with, the story. Movement in the lower body is centered around the hips, where movement becomes freer and more expressive. The result is choreography that engages the audience on multiple levels—a blend of aesthetically pleasing, clear, yet visually stimulating imagery with moments of raw, visceral expression.

​

Notable credits include creating work for Northwestern University (Wirtz Mainstage Productions, Purple Crayon Players, Vibrant Colors Collective, Jewish Theatre Ensemble, and Arts Alliance), Midland Center for the Arts; and Midland Public Schools Drama.

​

Notable collaborations include serving as Assistant Director/Choreographer to Trent Soyster and Megan Meyer, Assistant for Vasthy Mompoint, as well as Dance Captain for Katharine Quinn and Rachel Perlman.